高清

镜子的另一面：纽波特民歌艺术节1963~1965

6.4

类型：爱情地区：中国大陆年份：2011 语言：中字

主演：Bob Dylan, Joan Baez, Judy Collins

导演：丹尼尔·斯平克,Ricarlo Flanagan,Suhaas

上次更新：2026-10-22 18:04:51

立即播放收藏

全集

剧情介绍

《镜子的另一面：纽波特民歌艺术节1963~1965》剧集介绍:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.... 《镜子的另一面：纽波特民歌艺术节1963~1965》剧集介绍:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.,丨日韩丨精品丨乱码蜜桃多人,国产情侣mv大片曝光,亚精品免费观看mv在线观看... 详情

影片评论

L若梦:刚刚

那我们就来解说一下这位硬派大叔的最新作品影片开头是一起普通的汽车追尾事故，追尾司机下车几刀捅死了被追尾车辆的司机。
孤独的小蟑:4分钟前

狗叫就是为了强化情节，还有最后一幕，记不太清，应该是大家给她过生日，在桌边她惊愕的表情吧！
水月叶梅:4分钟前

[55] 2014年1月30日，华晨宇加盟中央电视台公益音乐节目公益盛典。
龙城向东:1分钟前

这个区域，土地并不肥沃，山地也不多，但处在平原，人口增长的速度比山区更为严重。
爱上鱼尾纹:3分钟前

2013年，与释行宇、南贤俊、姜宝成合作主演了3D功夫电影《金刚王：死亡救赎》。同年参演电视剧《精忠岳飞》，饰演金兀术一角。
澜淋:7小时前

男主带着老婆孩子逃生，逃到了航母上，却得知丧尸病毒蔓延全球，然后开始了充满未知的拯救行动中。
鹰悟辰:2小时前

克里斯汀对呆拉还算是比较“真爱”，众所周知，克里斯汀的生活作风一直很节俭，破皮卡和mini开了很多年，自从和呆拉在一起之后火速换了保时捷，还在女友纽约公寓附近走路不到十分钟的位置买了房。
日辰睡莲:6小时前

[1]该片于2014年12月26日正式登陆全国院线，是中国2014年贺岁档唯一的一部灾难片。
岚少:小时前

地址：港汇广场六楼电话：64076622UME新天地国际影城由电影人吴思远投资的新天地国际影城共有6个电影厅，最大的312座，最小的112座，共拥有1052个座位。
枫林燊:1天前

他的亲密爱人露易斯已经又和别人订了婚，并有了一个4岁大的儿子，孩子的父亲却不知是谁。,丨日韩丨精品丨乱码蜜桃多人,国产情侣mv大片曝光